Why You Need to Know the History of Flowers in Art and Photography

The post Why You Need to Know the History of Flowers in Art and Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.

Flowers have had a presence in art for millennia. In this article, we’ll have a look at the history of flowers and some photographic principals that can be drawn from the historical use of flowers in visual culture.

history-of-flowers-in-art-and-photography

Floral colors

history-of-flowers-in-art-and-photography

Over the course of visual arts, colors have become embedded with a rich symbolic history.

While red can denote love and passion, blue can imbue a sense of calm.

The pairing of colors and flowers in both nature and art has influenced the reading of floral imagery throughout history. For example, the Ancient Egyptians often painted artistic renderings of the blue and the white lotus. However, the blue lotus was used as symbol of rebirth whereas the while lotus represented innocence and modesty.

In Renaissance artworks, a red carnation was symbolic of love. A pink carnation, on the other hand, stood as a symbol of marriage or betrothal, while in Japan, yellow chrysanthemums have historically signified the Emperor and Imperial family whereas white chrysanthemums indicate purity, truth or grief.

Melding color psychology with floral symbolism touches on our perceptions of visual art history. This is especially relevant if you are presenting your images as a conceptual artwork or as a gift with a heartfelt message layered in meaning. If you are looking to convey peace or emotional depth, try photographing blue flowers.

Incorporating yellow flowers into a photograph stimulates an energetic reading and sympathy is conveyed with white floral blooms.

You can also alter the color of flowers completely in post production, or strip it of its colorful meaning by working in black and white. This draws greater attention to a flower’s form rather than its biological pigmentation.

history-of-flowers-in-art-and-photography

The language of flowers

Why You Need to Know the History of Flowers in Art and Photography

Over time, cultures have linked flowers with specific ideas as a means of communication. Flowers like the lily and rose are used as symbols in the Hebrew Bible. This is especially the case in the Song of Solomon.

An age-old art form in Japan, the practice of Hanakotoba involves the pairing of flowers with meaning in the hopes of conveying emotion without the use of words. And for the first half of the 19th century, floriography was hugely popular in France, Britain and in the United States. Although many floriography dictionaries differed in meaning, some consensus on particular floral associations has prevailed in Western popular culture today.

Red roses (and their thorns), for example, continue to symbolize the duality of pain and pleasure in romantic love. The red poppy has become a symbol of remembrance of the fallen in war and white lilies, often used at funerals, signify sympathy and purity.

By utilizing the popular associations of flowers in a given culture, you can communicate ideas to a viewer through the photography of floral blooms.

Physicality

history-of-flowers-in-art-and-photography

Physicality defines the physical features that make up a floral bloom. For example, the textural qualities of a bloom influence our ability to visually feel the make-up of a flower. Aspects like the heaviness of a flower head can add visual weight to an image and the direction of a bloom can convey movement.

Varying dimensions of the flowers in Still Life With Flowers by Ambrosius Bosschaert cultivate energy and directionality, while the whimsical dimensions of the iris petals in Vincent Van Gogh’s Irises burst with movement and spontaneity. The repetition of Renoir’s Bouquet of Roses reinforces the soft quality of the rose heads, each vying for a place within the artist’s rendering, while Imogen Cunningham’s Magnolia Blossom features a single magnolia, emphasizing the delicate membrane of a lone flower.

Research into flower usage in art history will help you to achieve the right balance of physical characteristics within a floral photograph.

Abstraction

Why You Need to Know the History of Flowers in Art and Photography

According to Tate.org “abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colors, forms and gestural marks to achieve its effect.”

Abstract flowers in art are exemplified by the paintings of Georgia O’Keeffe. A leading figure in American Modernism, O’Keeffe pushed the boundaries of art by combining abstraction and representation. O’Keeffe’s close-up paintings of flowers allowed viewers to appreciate intimate forms from a fresh perspective.

In the same way, photographing abstracted flowers cultivates a sense of intimacy. Abstraction provides the opportunity for viewers to experience the properties of flowers through the eyes of the photographer.

You can achieve floral abstraction through the use of various photographic techniques.  Camera movement, cropping or creative macro photography are some of the ways a photographer can create intriguing abstracted floral imagery.

Conclusion

With thousands of types of floral blooms spread around the globe, flowers have caught the eye of artists for millennia. Familiarizing yourself with the history of flowers in art can be beneficial in a number of ways. A knowledge of colors and their use in conjunction with flowers is a useful tool in conveying emotional depth.

Knowing the history of flowers in art and culture can open more channels of communication between the photographer and the viewer. Training the eye to assess the physicality of different flowers allows for well-considered image-making.

And abstraction can introduce a unique perspective to your floral photography.

 

history-of-flowers-in-art-and-photograph

The post Why You Need to Know the History of Flowers in Art and Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.


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Half of UK mobile users still struggle with 4G

Nearly half of mobile users in the UK struggle to get a 4G connection and just one in seven plan to upgrade to 5G within the next year, according to a new study, highlighting the issues of customer perception facing mobile operators.

According to uSwitch, a third of people have trouble connecting to 4G at least once a week, meaning they are forced to rely on the increasingly aging 3G. Nearly two-thirds (60 percent) say they have problems connecting to 4G at home, highlighting the discrepancies between indoor and outdoor coverage too.

This is despite Ofcom figures claiming that 66 per cent of the UK is able access a 4G service from all four main operators.

UK 5G adoption

All four mobile operators either have or will launch 5G networks before the end of the year, but coverage will initially focus on major towns and cities. Predictions suggest 28 per cent of the country will have access to 5G by the end of 2019.

5G will deliver faster speeds and enhanced capacity, while the changes made to core networks will improve the quality of 4G services too. However the study suggests there is little hope that 5G will solve connectivity issues any time soon.

Just 14 per cent plan to upgrade to 5G this year and only 22 per cent plan to do so in the short-term. Aside from coverage limitations, only 19 per cent believe 5G will improve connectivity and 30 per cent believe 5G will be more expensive – despite the fact that Vodafone and Three have said they will not charge a premium.

The findings show that mobile operators might have some difficulty in communicating the benefits of 5G to customers and that more must be done to improve the situation in rural areas.

 “[Poor signal] can sometimes be blamed on network congestion at busy times, but often the capacity simply isn’t there for the numbers of people wanting to access a service they have paid for,” said Ernest Doku, mobiles expert at uSwitch.

“The arrival of the next generation infrastructure should help with some of the problems currently experienced by 4G users, but this will not be an overnight solution, in particular as fewer than one in seven of us is planning to upgrade to 5G in the next year.

“However, the industry cannot use the launch of 5G as a band aid to cover up the shortcomings of 4G. Providers must work with communities to improve connectivity, especially in rural areas, to prevent millions of people being left stranded on technology two generations out of date.

“Unless networks improve their coverage in rural areas, the risk is that 5G will make the same mistakes as 4G and predominantly serve the cities at the expense of more rural areas of the country.”


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MagMod Wedding and Event Flash Accessory Starter Kit – $269.00 Shipped (Compare at $409.00)

Through midnight tonight Eastern Time, B&H has the MagMod Wedding and Event Flash Accessory Starter Kit available for $ 269.00 with free shipping. Compare at $ 409.00.
 
Product Highlights
 

  • 1 x MagSphere
  • 1 x MagBounce
  • 1 x MagSnoot
  • 2 x MagGrid

See today’s full list of B&H Deal Zone Deals for excellent savings opportunities.

Canon, Nikon, and Sony News, Deals and What’s New at The-Digital-Picture.com

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Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

The post Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

Have you ever endured the stress of dealing with a corrupted Photoshop PSD file? It’s not such a common problem, but when it happens it can invoke serious mental and emotional hardship. Let me introduce you to a little software tool that can be of great help to photographers, designers, and anyone else who uses Adobe Photoshop – the Recovery Toolbox for Photoshop.

Recovery-Toolbox-for-Photoshop

Fully recovered corrupted PSD file

How PSD files become corrupt

Imagine spending hours post-processing a photo you’ve captured or graphic you have created. It’s one of your best. You’ve worked through some tutorials, and been inspired to create a masterpiece of digital art.

 

You’ve put the final touches to it and hit Save, and then the power goes out. Your file has not saved correctly. Or you’ve saved it to a hard drive with bad sectors. Even when you revive the drive, the PSD file will not open. These are events that create nightmares.

 

There are other ways PSD files become corrupted and Photoshop won’t open them. At times, all you’ll see is an error message.

 

Recovery-Toolbox-for-Photoshop

 

Other times the file will open but will be incomplete. Layers may be missing, or the file may have been flattened. Maybe all you’ll see is digital noise.

 

Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

 

You may have encountered similar file retrieval problems with bad memory cards or hard drives. These situations require specialized software that can recover files and rebuild them.

Adobe Photoshop Repair Tool

Adobe Photoshop Repair Tool from Recovery Toolbox is specifically designed to reclaim and repair damaged Photoshop PSD files. It’s not a tool you will use every day (hopefully), but when you do need to, it can save you considerable stress and maybe hours of work.

This small piece of dedicated software opens and restores PSD files. Often it will manage to completely restore a file which Photoshop refuses to open. Other times it will work partially. You might get most of your layers back, but not all of them. At this stage, however, it is only available for users of Windows 98 and above.

How it works

Step 1:

Open Recovery Toolbox for Photoshop and select the file you are having issues with. Click ‘Next’.

 

Recovery-Toolbox-for-Photoshop

Step 2:

The ‘View Data’ window will open. Here you have a breakdown of what the Recovery Toolbox for Photoshop can see in the corrupted file. If the file has multiple layers, click on the ‘Layers’ drop-down in the left-hand panel to view them.

 

In the right-hand panel, there are two tabs. Click on the ‘Picture’ tab for a preview of each layer.

 

Recovery-Toolbox-for-Photoshop

Step 3:

Choose your target file and the layers you want to recover. In this step, you can also select or deselect certain layers you want to recover.

 

Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

Step 4:

Click ‘Recover’ and the software will work its magic. Once the recovery process is completed, click the ‘Show Result’ button to open the recovered file in Photoshop. It’s as easy as that.

 

Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

Salvaged

Whether you’re a keen amateur or a professional photographer, this software will help you out when Photoshop fails to open a file. This might mean the difference in saving time rebuilding an image, or it might save your skin and keep a valuable client.

 

This Recovery Toolbox for Photoshop works on any PSD file saved from Photoshop version three or later, and recovers files with .psd and .8bps extensions.

Working through the easy steps is fast and allows for some control in the layers you choose to repair. I found that when testing this software, it was not necessary to do this, but the feature allows for flexibility with more problematic files.

This software is specifically designed to read, analyze, and recover your PSD files.

When testing this software, I purposefully produced a series of damaged PSD files, corrupting them in different ways. While saving a multi-layered PSD file, I rebooted my computer while the file was in the process of writing to a hard drive. I also saved the file to a thumb drive which I removed before fully saving the image. I did this at various stages in the process of saving. In these instances, the Recovery Toolbox for Photoshop was not able to restore my files even when they’d been nearly through the saving process.

 

Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

 

The software was sent to me with a number of test files. Each of these appeared to be corrupted in different ways. Some of them opened with Photoshop, but incompletely. Others failed to open and Photoshop displayed an error message.

Pros

  • Dedicated to repairing PSD files.
  • Easy to use.
  • Well laid out user interface.
  • Detailed information and controls.
  • Price.

Cons

  • Doesn’t repair all damaged PSD files.
  • Only available for Windows Users

recovery-tool-box-for-photoshop-online
If you don’t like the idea of installing software onto your computer, Recovery Toolbox for Photoshop also has an online repair service where you simply upload your damaged file. The benefits of using the online version include:

  • Helps to repair Photoshop files on all Operation Systems: macOS, iOS, Android, Windows and so on
  • Work on any devices: PC, tablet, phones
  • Affordable price: $ 10
  • No need to install any software

In this review, the online version was not tested.

Conclusion

Recovery Toolbox for Photoshop is a great tool and will help you out where Photoshop fails to. However, there is never any substitute for having a disciplined backup routine. Saving your work often and backing it up on a separate drive, device or in the cloud is the most sure-fire way to ensure your precious files are safe and usable.

Disclaimer: Recovery Toolbox for Photoshop is a paid dPS partner.

recovery-toolbox-for-photoshop

The post Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Lighting Workshop Interest List

Apologies for how the lighting workshops announcement went yesterday. They filled within a few hours, and before many of you even saw the email.

Given that I typically only do the small-class shooting workshops once a year, I sat down last night and figured out a fairer way to announce them. If you are interested in perhaps one day attending, click through to learn more. Read more »
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Cybersecurity giant was hit by vBulletin attack

An anonymous researcher recently disclosed a zero-day in the popular internet forum software vBulletin and the cybersecurity firm Comodo has now come out and said that its own forum was hacked.

Ironically enough, news of the hack was disclosed in a forum post that confirmed a hacker had exploited the vulnerability in vBulletin to gain access to the database of the cybersecurity giant's forum.

The vulnerability requires little skill to exploit and an attacker can use it to remotely run malicious code on a vulnerable forum.

However, in this case the attacker used the exploit to steal information, including user names and email addresses, from the user database of Comodo's forum.

Comodo hack

Exploit code for the vBulletin vulnerability was released on September 23 and two days later, the company released patches for its forum software.

However, despite claiming that it takes “security very seriously” in its disclosure, Comodo failed to immediately patch its forum software and four days after the patches were released, its forum was hacked.

In its disclosure, Comodo provided more information on exactly what information the attackers behind the hack were able to obtain, saying:

“An unknown attacker exploited the recently discovered vBulletin vulnerability and potentially gained access to the forums database. Our investigations are ongoing to determine what data, if any, has been accessed. User accounts on the forums contain information such as username, name, e-mail address, last IP used to access the forums and if used, potentially some social media usernames in very limited situations. All user passwords in the database were stored encrypted. Comodo forums currently have approximately 245,000 registered users.”

There have certainly been more severe data breaches but this one is particularly embarrassing given that as a cybersecurity company, Comodo should have known better than to put off installing the latest security patches.  

  • Keep your devices protected with the best antivirus software of 2019

Via TechCrunch


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Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere?

The post Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere? appeared first on Digital Photography School. It was authored by Carl Spring.

Loupedeck+ Review - the Perfect Editing Companion for Lightroom and Premiere?

There is something undeniably cool about Hollywood editing studios. I remember seeing one in a magazine as a child and wanting to play with it. Thinking how cool it would be to figure out what all the dials did and edit Hollywood Blockbusters. I never made it in Hollywood, but I can remember my first editing console. Purchased from the high street, it allowed me to link 2 VCR players and have a fade and wipe slider for video. It even had an audio fader that allowed me to (surprisingly) fade audio. At the time it was amazing! I made a lot of skateboard videos using that console.

Obviously we’ve moved to digital everything, but there is something about using knobs and dials to edit that I have always liked. So, when I was given the opportunity to try the Loupedeck+, I jumped at the chance to get hands-on with it. 

What is it?

Simply put, Loupedeck+ is a keyboard-sized photo editing console. The main editing functions are controlled via a series of knobs and buttons.

Loupedeck started life on Indiegogo. The initial Loupedeck was marketed as a photo editing console just for Lightroom. With the Loupedeck+, however, it has become much more than that. The new version has support for several different software platforms too.

This device is still aimed primarily at Adobe users, with support for most of the Creative Suite. There is also support for Apple’s Final Cut and Aurora HDR and is also currently in Beta testing with Capture One Pro, which is my preferred choice of photo editor.

Out of the box

In terms of looks, it is beautifully packaged. However, that doesn’t mean anything if the product itself is not up to scratch. The Loupedeck however, definitely is. Although fully plastic, everything is solid and feels like it will survive long term usage. The only exception to this is the control dial, which does feel a little flimsy compared to the rest of the device.

In terms of the buttons, when making notes, I put down that they are squishy but solid. I still think that’s the best way to describe them. There is also a nice little detail for the cable to connect the Loupedeck. There are grooves that allow you to place it to work with how your computer is setup. It’s not a deal-breaker, but attention to detail like this tends to show the makers care about the end-user. 

dpsloupedeck+-review

The Loupedeck+ is well built apart from the control dial. It just feels a little flimsy. However, in use, it has been flawless so far.

Getting set up 

Once you have unpackaged your Loupedeck, the next stage is setting it up. To do this, you need to install the Loupedeck software. This is a simple download from the Loupedeck website, which then allows you to customize the Loupedeck to your specific editing preferences.

I have left it is standard for now, but I can definitely see me looking into this again to fine-tune it to how I edit.

Once you have the software installed, it is as simple as choosing which software you want to use the Loupedeck with and off you go. Loupedeck has a series of guides for each piece of software that it is compatible with. I recommend having these on hand, especially when using software other than Lightroom. Even with Lightroom though, it is worth having nearby to see what extras you may find yourself reaching for.

The fact that the user guide for Lightroom alone is 31 pages tells you what level of customization is possible.

Image: To get started with Loupedeck+ you need to download the software from the Loupedeck website....

To get started with Loupedeck+ you need to download the software from the Loupedeck website. Once installed, choose your software and away you go.

The learning curve

The learning curve is in two parts; getting used to the Loupedeck from your usual editing routine, and how Loupedeck reduces the learning curve of the software.

To test this, I got my wife to use Loupedeck to work on a wedding we had recently shot. She normally helps make picks, but she has very limited editing experience. She can just about manage to tweak exposure a little, but that’s it.

I put her at the Loupedeck and asked her to try and edit images she thought needed work. After about 2 minutes of me explaining the device, she started. Two more minutes passed before she explained how brilliant it was.

By removing the need to search through the menus (of Capture One in our case), she was able to edit photos easily and without needing constant reminders of the locations of buttons or sliders. It made her experiment more, and within an hour, she felt completely confident using the Loupedeck.

For beginners, this will make the process of learning to edit (especially in Lightroom) so much easier. Everything is at hand, and the layout makes it simpler for beginners to experiment. They can use more of the features of the program without the need to remember the locations in the menus.

For me, as a power user of Capture One, the learning curve was a little steeper. I’ve put this down to Capture One currently being in Beta testing. There are some quirks I needed to get used to when editing, such as using the color balance tool.

There is also the fact that when you use the software every day, you acquire muscle memory from the keyboard shortcuts you use most often. Moving to dials does take a while to get used to.

I do feel that even for Lightroom users (whom this deck was designed for), the change to Loupedeck will mean your editing is slower until you get up to speed. However, I am talking only hours here, not days.

Loupedeck+ and Lightroom

Obviously I wanted to start this test with Lightroom as this is really the program the device is designed for. Now I am not a Lightroom user, so having me use this is more like an inexperienced Lightroom editor versus someone who uses it every day.

I loaded up a selection of images into a catalog and began editing. Using the Loupedeck was completely intuitive. I simply started to edit images without the need to try and remember control locations. It was as easy as twisting the dials with the required name on them. In my experience, the Loupdeck+ and Lightroom work flawlessly together. There is no lag, and the degree of control with each twist feels perfect. Everything is at hand, and if you do find yourself needing something that is not here, you can customize the software until your heart’s content.

It made the process of editing in Lightroom a pleasure and, as a hardcore Capture One user, that is the highest praise I can give it.

dps-loupedeck+-review

It is easy to see that the Loupedeck+ is designed with Lightroom users in mind.

Loupedeck+ and Capture One Pro

Because I’m not a Lightroom user, I went down the road that is Beta testing to put the Loupedeck in my day-to-day editing software. 

Now compared to Lightroom, I found editing in Capture One Pro to be a more clunky affair. The problem is that in its current Beta state, the Loupedeck doesn’t offer the same level of functionality. This is something that Loupedeck are working on and are currently looking for feedback from any Capture One users to help improve the experience.

The basic adjustments work perfectly well in Capture One. To adjust white balance and exposure is just as good as Lightroom. However, there are elements, such as resetting adjustments, that are not there.

The issue here is that the Loupedeck was designed with Lightroom in mind and Capture One works differently. The most obvious example of this is the P1-P8 buttons. In Lightroom, these assign to presets; however, in Capture One, they are simply not set up.

Shooting Fuji, I would love to map this to my film curves, where it would be great to choose the look of my image. However, at present, this is not possible. For more advanced editing, it can be frustrating, and I find myself reaching for the mouse and keyboard more often than I would like.

It’s not perfect by any means, and it does sound a little doom and gloom, but in terms of basic edits, it really did speed up my workflow. I have now edited two weddings with the Loupedeck, and it has definitely saved me some time. Also being super simple for basic adjustments, it really has allowed my wife to do basic edits for things such as exposure.
When editing a wedding, I reach for it straight away. It really is something that after using it, I wouldn’t be without.

The best thing about using Loupedeck+ with Capture One is that I know it can only get better from here. Once there are some more options added, and a few things ironed out from the beta testing, I feel this will be a powerful editing tool.

Loupedeck+ and Photoshop

This is where things start to feel like I was using the Loupedeck for the sake of it. When editing a RAW file, it was great, but after that, I really felt no benefit from using it. When editing in Photoshop, you tend to use your mouse or tablet much more.

You can use it for working with curves, but you need to work with the mouse too, and I found it just too clunky. Other things like zoom in and out, which are mapped to knobs, simply do not work as well as using the middle mouse button.

Unlike using it in Lightroom and Capture One, when working in Photoshop, I found myself using it for the sake of it, rather than reaping any real benefit. I do feel that the Loupedeck+ working with more software is good. However, I feel that, in some cases, it just feels like it is added for marketing over actual functionality. 

Loupedeck+ and Premiere

The ability for Loupedeck to work with Premiere was something that I found myself excited to try. I am by no means a power user, but I know my way around Premiere and edit with it enough to consider myself proficient.

Using Loupedeck with Premiere, though, is where things go a little too far for me. When using it to edit a video, it was just too hard for me to remember what all the functions did. It could be due to my lack of time spent in Premiere, but I think it’s more than that. When photo editing, things like exposure, and contrast are the same no matter which program you use. Video editing, however, uses a completely different language.

It is not that you can’t learn how to use Loupedeck with Premiere. I think once you got used to what each button and dial was mapped to, it would really speed things up. However, as someone who uses the software occasionally, I would find it hard to remember the settings for Premiere.

I think the best way to sum it up is that if you are buying a Loupdeck+ solely for Premiere use, you may face a steep learning curve. For me, to have it as a bonus is nice, even though I can’t really see myself using it.

loupedeck+-review

As you can see from the layout above, Loupedeck is not as intuitive in Premiere.

Conclusion

It’s hard to sum up the Loupedeck+.

Some may see this as a gimmick you will buy, only to put it in the cupboard after a few months to gather dust. But that really isn’t how it is. It’s a well-made, high-quality device that really is a time-saver, especially in basic edits.

I use the Loupedeck+ on every edit now. That must say something. It has sped up my editing (it needs to, I am currently behind on editing a wedding and am writing this article rather than doing that). However, I do still find myself reaching for the keyboard or mouse quite often. I think the best way is to give three different outcomes, depending on what software you use.

If you’re a Capture One user like me, you may find it frustrating. It is almost there, close to being great, but then there are silly little things that are really annoying! However, this is in beta testing, which means things are still ironing out. I am sure this is going to improve moving forward. It’s just a question of whether you are willing to pay for something that doesn’t quite work as you would like it to.

If you’re using this on Premiere or Final Cut, you will need to spend some serious time with the manual. It really is not intuitive in the same way it is for photo editing. If you are willing to put in the time, I am sure it will speed up your workflow. I do question how long it would take to get to this point though.

Lastly, Lightroom. This is still what they designed the Loupedeck for. If you are a Lightroom user, I would definitely suggest getting your hands on a Loupedeck+ – It really does make editing much faster. It worked incredibly well in use, and I enjoyed editing in Lightroom. This really is the highest praise I can give it.

However, where this console really shines is for new users. If you are new to editing, I cannot recommend this enough. I wish something like this had existed when I started editing. It makes the process of understanding how tools work so much more organic. Beginners will get a lot out of using a device like this – It just makes editing more intuitive. My wife managed to edit much better than ever before in minutes.

Moving forward, I will continue to use a Loupedeck+ to edit. Maybe it’s just my old ways. Maybe it means I get to pretend I am in a film studio editing suite. Or maybe, it’s something that I never really thought I would want, but now don’t want to stop using.

In all honesty, I think it’s all three.

 

loupedeck+-review

The post Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere? appeared first on Digital Photography School. It was authored by Carl Spring.


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Photographing the Moon

Darn, I missed the last eclipse of a full moon. Oh well, now I have to wait for the next one. To be sure I don’t miss it the next time, I am arming myself with this catalog of lunar eclipses from NASA.

lunar eclipse

I’ve photographed the moon many times—and one eclipse in 2008. I prepared this article to give you an idea of how to photograph an eclipse, but now it’s not necessary.

I have photographed the moon both on a regular night with a full moon and during an eclipse. Both of them are easy if you know how. In case you want to photograph an eclipse, the following is a list of the things that you’re going to need.

  1. 35mm camera film or digital
  2. 300mm lens or longer
  3. Cloudless night during the event

That’s it! Many people try to photograph the moon using a tripod but they don’t realize that it’s not necessary. Why, you ask? Because of the “sunny 16” rule in photography. Wait! In the middle of the night there is no sun! Well, maybe not illuminating you, but it is illuminating the moon.

The sunny f/16 rule states that you can photograph anything that is illuminated by the sun using a shutter speed one number higher than the film or ISO that you’re using in your camera. For example: if you’re using ISO in your camera, the shutter speed/aperture combination should be 1/125 at f/16. Very simple, right?

half moon

If you’re using an older mechanical film camera and the battery is dead and you cannot read the light meter, using the sunny f/16 rule will allow you to photograph anything that is illuminated by the sun.

What about digital cameras? Digital cameras or film cameras are no different in this situation. For shots of the moon, either camera will capture the moon the same way or anything else illuminated by the sun. Don’t forget that you have a light meter to help you obtain the correct exposure and viewing the images on the screen gives you immediate feedback so you can make changes in the event you need to. Okay, enough of that. Let me tell you what you can do to photograph the moon and why a tripod is not necessary.

If you’re using a digital camera, do the following:

  1. Set your aperture to f/16.
  2. Set the ISO to 100.
  3. Set the white balance to daylight.
  4. Set the color mode to landscape.
  5. Set your shutter speed to 1/125 of a second.

For a film camera, forget steps 3 and 4.

full moon

As you can see, everything is very easy to do and chances are that if you follow this information you’ll get great shots of the moon. But, wait I’m not done yet!

Since the moon is so far away, why use the lens almost fully closed? Since the moon is thousands of miles away from us, we should not worry about depth of field. So, why not use the lens fully open and take advantage of using a very fast shutter speed? This is what I do every time that I photograph the moon.

  • f/16 at 1/125 of a second, right? So that means that you can use reciprocal exposures:
  • f/11 at 1/250
  • f/8 at 1/500
  • f/5.6 at 1/1000
  • f/4 at 1/2000
  • f/2.8 at f/4000

What? Photograph the moon using a 1/4000 of a second? YES! All these are reciprocal exposures and what that means is that each of these settings will give you the same amount of light in your sensor. Of course, some people do not have their cameras set correctly. A couple of my students keep accidentally setting their exposure compensation settings to -4.0 stops on their Nikon cameras, and it’s all because the compensation dial and the aperture dial are one and the same in some Nikon cameras. Why Nikon placed these setting together, I don’t know. So if you have a Nikon camera and, like ALL of my students, you use your camera in manual mode, make sure that you’re in the correct setting when changing the aperture of the lens so you don’t accidentally set a (-) minus exposure on the aperture of the lens.

lunar eclipse

Back to the very fast shutter speed at night. Is it possible to use that in the middle of the night and get the picture? Of course it is. Anything that is illuminated by the sun during the day or at night (the moon) can be photographed using this photography rule. Of course, if you’re going to photograph an eclipse of the moon, the setting will be very different—at least the shutter speed. During an eclipse you will be forced to use slower and slower shutter speeds to compensate for the loss of light. But you’ll get the image!

About the Author:
Ignacio Alvarez is a photography instructor at City Colleges of Chicago.

Go to full article: Photographing the Moon

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GoPro HERO8 Black & MAX 360 Available for Preorder


 
The GoPro HERO8 Black and MAX 360 action cameras are available for preorder at the following retailers:
 
GoPro HERO8 BlackB&H | Adorama | Amazon US
 
GOPro MAX 360B&H | Adorama | Amazon US
 
GoPro HERO8 Black Highlights
 

  • Up to UHD 4K Video, Slow Motion
  • HyperSmooth 2.0 Video Stabilization
  • TimeWarp 2.0 Stabilized Time-Lapse Video
  • SuperPhoto 12MP Stills with HDR Support
  • Waterproof to 33′ without a Housing
  • Direct Live Streaming to Facebook Live
  • Night-Lapse Video, Live-Burst Stills
  • Intuitive, Smartphone-Like Touchscreen
  • Face, Smile & Scene Detection
  • 15-Command Multi-Language Voice Control

GoPro MAX 360 Highlights
 

  • Supports 4992 x 2496 360° Video
  • Photo Resolution up to 5760 x 2880
  • Wide 8.9mm Focal Length
  • HyperSmooth Digital Stabilization
  • PowerPano 360° Photo Mode
  • In-Camera Stitching & App Control
  • Rugged Body, Waterproof to 16′
  • Up to 14 Voice Commands
  • Includes Curved Adhesive Mount
  • Rechargeable 1600mAh Li-Ion Battery

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How public clouds can unlock AI innovation

It’s without a doubt that emerging technologies like artificial intelligence (AI) and machine learning will critically underpin future productivity and services across a range of sectors, from retail to manufacturing and public sector services. More businesses are looking for ways to implement the newest innovations, driving massive growth in the global enterprise AI market, which is now anticipated to reach US$ 9880.4 million by 2023.

To accelerate the value of AI and machine learning initiatives, a growing number of organisations are beginning to consult public cloud platforms for support. But when looking into public cloud to support the implementation of new technologies, a number of questions arise. Why is public cloud more fitting for AI and machine learning initiatives than private cloud? And how exactly can the organisation smoothly migrate operations without causing too much disruption?

Where flexibility meets control

In comparison to private cloud and on-premise setups, public cloud is known for being flexible. With this flexibility comes an almost unlimited degree of adaptability where platforms can scale on demand. This is an important feature that supports innovative new technologies like AI, which are expected to scale at the same rate of business growth.

Public cloud also offers an increased level of security and controlled access. With AI and machine learning systems amassing a monumental amount of data – which may be sensitive – the public cloud offers a level of security better suited to these initiatives. This is largely because cloud service providers can assist with the 24/7 management and protection of datasets needed to support AI and machine learning technologies.

Lay the right foundations

Google Cloud offers unparalleled support for businesses looking to implement AI and machine learning initiatives. It is ahead of the game with its advanced set of tools that are dedicated to the support of data analytics, machine learning and artificial intelligence.

Supporting the live migration of virtual machines is a vital capability for businesses that may have already begun deploying AI. Google Cloud has this capability, ensuring internal systems run smoothly as data is shifted from a business’ existing infrastructure to the cloud. On top of this, where some public cloud platforms need to be set up before AI and machine learning systems are deployed, Google Cloud supports the shift of data from a private cloud or on-premise system at any point in the implementation timeline.

With developments in artificial intelligence growing at an exponential rate, now is the time for organisations to lay the appropriate groundwork in the form of public cloud. With the correct set-up, public clouds such as Google Cloud can help drive a new level of decision making in the form of business intelligence and advanced data analysis. 

  • Empty list

For example, it can support vast datasets for big data, and from this, AI systems are able to access historical data to draw comparisons, identify patterns and then make appropriate choices. This in turn facilitates more efficient processes, enabling better and faster customer experience.

But the benefits of public cloud for organisations do not end here. As the most cost-efficient option for businesses looking for support for their AI and machine learning technologies, the public cloud is the most efficient option. Many argue that the public cloud model is the main appeal for businesses, as its set-up enables organisations to purchase only the amount of cloud storage needed for AI systems.

Freeing up the additional costs once ploughed into physical datacenters and traditional infrastructure, businesses are able to refocus their investments into further AI and machine learning developments. Most importantly, these cost savings can be immediately passed onto the customer.

Innovation in practice

Swedish mobile gaming company LeoVegas recently deployed Google Cloud to support its significant investment in machine learning and AI. In a complex and competitive industry, the company’s strategy is to tap into the popularity of smartphones and offer a superior customer experience. As part of this, it built a complex system to deliver real-time updates to customers, which required solid infrastructure that could scale as it grew.

Yet with most of its operations based out of Europe due to licensing restrictions, LeoVegas needed global scalability to ensure that its investments in AI and machine learning were also experienced by customers outside of the region. At the time, there were only a select number of cloud providers working in LeoVegas’ markets, and the business realised that it needed a partner which could not only support its global ambition, but also provide the flexible support needed for advancements and investments in new technologies at the same rate.

For LeoVegas, the rate at which Google Cloud ships new functionality matches the level of support needed as it grew its investment in machine learning and AI technologies. These new innovations demand huge amounts of resources, particularly at a level that would not be sustainable in an on-premise or private cloud environment. Google Cloud’s offering meant that its public cloud technology could keep pace with LeoVegas’ own innovation.

Partnering for success

The scale of designing, planning and implementing public cloud to support AI and machine learning initiatives can be an overwhelming process that is by no means a case of lift and shift. To truly maximise the benefits of public cloud for emerging technology ambitions, partnering with a technology service provider is essential. 

A partnership will increase both the value and range of offerings available to support new technology implementations. Driving value is not only crucial for businesses, but for their customers who are ultimately always seeking the best experience.

For companies like LeoVegas, emerging technologies such as AI and machine learning drive more seamless operations, increased efficiency and ultimately, a better experience for customers. The key to realising the promise of these technologies is leveraging the scalability, security and agility of public cloud, coupled with the expertise of a technology partner.

 

Nick Henry, General Manager, Managed Public Cloud at Rackspace.

Find the best cloud storage management system here


TechRadar: Cameras and camcorder reviews

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Michael Bay’s explosive Netflix debut 6 Underground gets its first trailer

Before he dedicated his life to assaulting our senses with five(!) Transformers movies, director Michael Bay made some truly enjoyable human-centric action blockbusters, such as The Rock, The Island and Bad Boys.

Now, the filmmaker is going back to what he does best as he prepares to unleash his patented brand of 'Bayhem' on Netflix subscribers, revealing the first trailer for his upcoming actioner 6 Underground, starring the hilarious Ryan Reynolds.

According to the film's official synopsis, "6 Underground introduces a new kind of action hero. Six individuals from all around the globe, each the very best at what they do, have been chosen not only for their skill, but for a unique desire to delete their pasts to change the future. The team is brought together by an enigmatic leader (Ryan Reynolds), whose sole mission in life is to ensure that, while he and his fellow operatives will never be remembered, their actions damn sure will."

Based on the film's explosive trailer, we can surmise that these actions include flooding the top floor of a skyscraper, employing the world's biggest magnet to snatch enemy weapons (along with the enemies themselves) and just generally causing a whole lot of destruction in a variety of picturesque locations across Europe.

Along with Reynolds, 6 Underground also stars Dave Franco (The Disaster Artist), Mélanie Laurent (Inglourious Basterds), Ben Hardy (Bohemian Rhapsody), Corey Hawkins (Straight Outta Compton) and Adria Arjona (Triple Frontier).

6 Underground will drop on Netflix on December 13. In the meantime, you can check out the film's trailer below, which is available in glorious 4K resolution.


TechRadar: Photography & video capture news

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Nokia revives another classic flip phone in Australia

HMD Global, the company now responsible for household name (and resurgent phone brand) Nokia has today announced that it’s bringing two new handsets to Australia – one aimed at budget-conscious smartphone users that still want premium features, and another for nostalgics.

Starting from Thursday, October 3, Aussies will be able to get their hands on both the Nokia 7.2 and the Nokia 2720 Flip, with RRPs of $ 549 and $ 149 respectively.

Nokia 7.2

The Nokia 7.2 is the aptly-titled successor to the Nokia 7.1, landing with much of what made its predecessor stand out in the mid-range market, but introducing a new set of features that promise to impress camera-focused users in particular.

The headline feature, and most notable upgrade, from the older handset is the shift from a 12MP + 5MP dual camera array to a whopping 48MP + 8MP + 5MP triple camera setup.

Alongside this high-resolution primary shooter, the other two cameras in the array offer wide-angle photography and a depth sensor for introducing Bokeh into your portrait-style shots. 

Nokia 7.2 in different colors

Around the front, the 8MP selfie camera has also been bumped up to 20MP and has been housed in a much smaller waterdrop notch, helping make room for the considerably larger 6.3-inch display (compared with 5.84-inch).

As expected, the internal specs get a welcome revision as well, with a Qualcomm Snapdragon 660 stepping it up from the Snapdragon 636, and 6GB of RAM instead of 4GB. It's running Android 9.0 out of the box, but will be one of the first Nokia handsets to get Android 10 when the phone-maker starts rolling out the new update.

The Nokia 7.2 in its 6GB/128GB configuration is available from October 3 for $ 549, while a 4GB/64GB version will be exclusively available from Telstra for $ 499 at a later date.

Nokia 2720 Flip

For those either looking for a nostalgic flip phone or a decent feature handset for the elderly, Nokia is reviving its 2720 Flip which it first launched 10 years ago.

It runs Kai OS and features a display on the outside of the clamshell that can display the time, notifications and other such information when the handset is closed, and another primary colour display inside, although it’s lacking touch input.

Instead, you’ll be getting the authentic experience with a large numeric pad, although 4G connectivity and support for Google Assistant, Google Maps, YouTube and other modern apps will likely make it a bit more useful in the modern day.

A dedicated emergency button can be found on the handset’s side, which calls up to five contacts in a row when pressed, and along with large, easy-to-press buttons, the phone’s display and fonts can be enlarged for ease of use.

The Nokia 2720 Flip is available from October 3 for $ 149.


TechRadar: Photography & video capture news

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