by Sean Setters
With the sun shining, not a cloud in the sky and the local vegetation finally awakening from its wintry slumber, I thought it would be a good time to venture out with my Super Color IR-converted EOS 7D to see what I could find. Not wanting to stray too far from home, I ended up at a nearby defunct dairy farm where – fun fact – they filmed a couple of scenes from the movie Forrest Gump. One of the greatest things about having a camera in your hands is that it feels like a you have passport for exploration, sparking the impulse for embarking on new adventures.
Unfortunately, my exploration on this day revealed that the area is not as scenic as it was at the time the movie was filmed. A nearby dike failed many years ago flooding the low-lying areas with salt water, killing many of the trees such as the one above, the catalyst for my spending a few minutes capturing its curvy branches in isolation against a distant background and rich, blue sky. I had originaly planned on desaturating the yellow tones so that the vegetation would appear white (the more traditional IR look I had in mind when setting off from my studio), but doing so resulted in the tree no longer standing out as well, so I instead opted to leave the grass and shrubs yellow after switching the red and blue color channels (more IR image processing in the IR Conversion Review).
You can find a higher resolution sample of this image on my Flickr Photostream.
With the sun shining, not a cloud in the sky and the local vegetation finally awakening from its wintry slumber, I thought it would be a good time to venture out with my Super Color IR-converted EOS 7D to see what I could find. Not wanting to stray too far from home, I ended up at a nearby defunct dairy farm where – fun fact – they filmed a couple of scenes from the movie Forrest Gump. One of the greatest things about having a camera in your hands is that it feels like a you have passport for exploration, sparking the impulse for embarking on new adventures.
Unfortunately, my exploration on this day revealed that the area is not as scenic as it was at the time the movie was filmed. A nearby dike failed many years ago flooding the low-lying areas with salt water, killing many of the trees such as the one above, the catalyst for my spending a few minutes capturing its curvy branches in isolation against a distant background and rich, blue sky. I had originaly planned on desaturating the yellow tones so that the vegetation would appear white (the more traditional IR look I had in mind when setting off from my studio), but doing so resulted in the tree no longer standing out as well, so I instead opted to leave the grass and shrubs yellow after switching the red and blue color channels (more IR image processing in the IR Conversion Review).
You can find a higher resolution sample of this image on my Flickr Photostream.
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